![]() "We're really trying to make it, like, fun and neat and not just a collection of songs." "I really want the songs that I'm using in the movie – like in the case of Maria McKee and Al Green or in the case of anything – to work in the crux of the scene," he said. Tarantino described the way he used "Let's Stay Together" in that scene as a "hypnotic score," since the viewer must stare at Willis as Rhames speaks at him, forcing the moviegoer to take in Willis' reaction, but it's also ironic since Willis and Rhames want anything but to stay together later in the movie. In Pulp Fiction, the tune plays as Ving Rhames' character, Marsellus Wallace, asks Bruce Willis', Butch Coolidge, to take a fall in a boxing match. And even after Mitchell cajoled him into recording a softer, gentler vocal than he wanted to, Green "wasn't happy with what came out," as he wrote in his autobiography, "because I was mad about being forced into doing the song." But within 10 days of cutting the record, it was a Number One hit within two weeks the single had sold gold and it went on to become Green's signature song. “I listen to all different types.” Nowhere has that worked better to his advantage than on the Pulp Fiction soundtrack, which Rolling Stone breaks down track in the pages that follow.Īl Green did not believe in "Let's Stay Together" when producer Willie Mitchell presented him with its music in 1971. “When people ask me what kinds of music I listen to, I never really know what to say,” he said in the interview. ![]() “You are such a poseur and a lame-o for using a song another movie has already christened,” he said.Īnd that approach has continued to define later Tarantino soundtracks like the ones for Jackie Brown and Django Unchained. In a 1994 interview that later appeared as a bonus track on the two-disc 2002 collector’s edition of the soundtrack, Tarantino was adamant about keeping songs fresh in his movies. It was so successful, in fact, that it’s five surf-rock offerings renewed interest in the genre, prompting surf label Del-Fi to put out a comp called Pulp Surfin’ the next year, and its influence has continued to reverberate as the Black Eyed Peas sampled it on their 2006 single “Pump it.” The soundtrack made it to Number 21 on the Billboard 200 and has since sold more three and a half million copies. “This could easily be a Quentin tape,” he said at the time of its release. As it happens, Tarantino had mixtape sequencing in mind when he executive produced the album in 1994, rearranging the way the songs play out on the track list the same way he played with chronology in the movie. The mixture of surf, soul and shit-talking that Quentin Tarantino assembled for Pulp Fiction ‘s soundtrack played out like one of the world’s coolest mixtapes, which made it an instant classic when it came out.
0 Comments
Leave a Reply. |